Comparative Analysis In Kill Bill In Both Burial Scenes

Furthermore, the camera angles of both kill bill
scenes also insinuate a huge a meaning to her thoughts and feelings. First of
all in her burial scene she is viewed in a low angle shot not only is this too
show that she has absolutely no authority over this man who has her in the
coffin but also too show her vulnerability and the inevitability of death.
Whereas the escaping scene starts with a re-establishing shot firstly reminding
us that she's in the coffin and secondly to show us her surroundings and that
she's with dead people which is ironic as she should be dead but she isn't.
Moreover, we see the women in the coffin been shot with an extreme close up
this connotes her fear and terror of this man and also shows her sweat which again
suggests she's nervous to see what will happen to her. In contrast when we
first see the coffin again in the second scene we see it in wide shot this
could foreshadow her freeness, as now the coffin looks bigger and spacious.
Also she's seen in a low angle shot this again signifies that now she has power
and strength whatever challenge she faces. Lastly, when buried alive the camera
seems to show a close up of the nails this could demonstrate the power of this
nail and how it could of just ruined a women's life which makes us feel that
she's endangered and question will she make it out alive. Contrastingly, the
camera only focuses on her and in the coffin the camera pans across in the
coffin as she tries to escape insinuating her hero self thinking of a way to
get out and this is amplified by the non diegetic music. Thus camera angles can
really demonstrate a huge amount on her feelings.
In addition, mise en scene of both scenes also
suggest a lot about what the women goes through and makes us tangible to her
journey. In the burial scene we see the women is full of blood and mud this
orchestrates that she's been beaten up and almost looks likes she's been
bullied this could show that she's already ran into trouble and doesn't look as
innocent as she is. Whereas in the second scene she is firstly seen as dirty
symbolising she's had a hard time but as she starts working her way out she
becomes clean, extremely blonde and a glow about herself and therefore suggests
she will escape. Further on, as the nails are nailed on the light in the coffin
fades away and is in pitch black and the scene turns black and white all of
these connotes the lack of hope especially the black and white nature of the
scene also as the nails go in the torch is turned off and really signifies the
loss of the dream of getting out. In great contrast we straight away see in the
lightness in coffin is brighter and suggests an optimistic future.
Additionally, there's a golden glow about the coffin and it feels more angelic
in there whereas it was dark before and keeps the belief in store. In the end
of the burial first scene we see her turn on her torch this shows the mud and
sweat on her face which insinuates her panic and nerves. Comparatively, she is
in no panic in the ending of the escape scene especially when she gets out
where she fist pumps as she is liberated this shows power and connotes that she
is ready and prepared for murder. Mise en scene is purposely used to make the
audience tangible to how she feels for example through the flood on the coffin
as she punches it this tells the audience how determined she is.
Finally, editing in kill bill is also used
effectively but not so much in the opening scenes. First of all, in the burial
scene there is cross cutting from the coffin to the two men having a
conversation and laughing this is to emphasise how scared she is as the
juxtaposition of her nerves and there laughing really symbolises how terrified
she really is. In comparison, the escape scene uses editing but in the face of
pace, the pace in this scene picks up with more cuts which matches the sound
and therefore the pace is synchronous with the sound and is used to show how
her hope is increasing and her escape is coming quicker. Editing is used very
well in scenes, as it is hard not to realise it being used and therefore
difficult to analyse it within a film.
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